If you're shooting portraits on single autofocus mode and you don't need good tracking, you'll be fine. On the a7RII, you might not be so thrilled, but a $250 lens isn't likely to be stellar on a 42 megapixel sensor. From my experience with the lens, it's plenty sharp on the a7sII or a7II and a6000/ a6300. Starting with their cheapest offering, we have the "Nifty Fifty." A full frame lens with a decent aperture of f/1.8 that's extremely inexpensive. Whether you're starting in the world of Sony with an a6000 or are a professional photographer with the most demanding clients, they have a 50mm (ish*) lens for you. Rounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.With over double the selection in this range of their closest competitor, Canon, it may be tough to choose exactly which one to go for. This lens' focusing ring can be slid forwards and backwards to quickly shift from manual to autofocus modes, and vice versa. A focus range limiter switch allows you constrain the usable focus range between 11-19.7", 19.7"-infinity, or full, and a focus hold button is also featured to manually stop the autofocus at a specified point. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. An internal focus design further enhances usability by improving AF speed and ensuring that the overall length of the lens does not change during use. A Direct Drive SSM system and internal focus mechanism provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control. A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions. One aspherical element is incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Two extra-low dispersion elements, including one Super ED element, are featured in the lens design and helps to reduce chromatic aberrations and color fringing for improved clarity and color neutrality. A focusing distance and magnification scale is also printed on the top of the lens to aid in more technical applications. True macro design affords a life-size, 1:1 magnification ratio along with an 11" minimum focusing distance for working with close-up subjects. And, the lens has built-in Optical SteadyShot image stabilization for compensating for camera shake at all focusing distances.ĭesigned for full-frame E-mount cameras, this telephoto macro can also be used on APS-C systems where it provides a 135mm equivalent focal length. On top of this, the focusing ring slides for immediate switching between manual and auto focusing. Users also have direct access to a focus hold button and focus range limiter for further optimizing the lens' performance in certain situations. The lens also boasts a fast f/2.8 aperture for controlling depth of field and working in less-than-ideal light as well as a Nano AR coating that help eliminate ghosting and flare.Ĭritical to macro is accurate focusing, which is assisted by the speedy Direct Drive Super Sonic wave Motor present in the 90mm lens. As a G series lens, it perfectly balances sharpness and bokeh through the use of various specialized elements, this ensures highly detailed images, with smooth out-of-focus areas, and an absolute minimum of aberrations. Get up close and personal with the 1:1 magnification ratio of the full-frame compatible FE 90mm f/2.8 Macro G OSS Lens for Sony's E-mount cameras.
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